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There is something admirable that I read into your observations about being part of the discussion — of adding in new inflections and naming constellations of makers within a broad landscape of practice. It is a very gentle way on your part in calling me out on circumventing the sometimes-perceived requirement of a writer to qualify their choice of language! Being an observer or viewer rather than a maker is an important justification for my semantic choices.
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It was intended as an exhibition that embodied its context by drawing connections and counterpointing these emblems within the vast spread of visual culture that collectively speak to the ways in which we are defined and exposed by the behavior of images.
To switch gears here a little, I see many parallels between the photographic trends that have arisen over the past decade and the abstract expressionist movement.
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At the same time, I survey the self-actualization of digital tools as an achievement of conceptual and aesthetic maturation.
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In our political environment and specifically the needs of a more media literate society, I think these are some tangible considerations to that need some untangling.
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What have you been working on lately? What projects can we look forward to from you photogra;her the coming future?
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Follow on Facebook. At the very least, it all makes for a fun thought experiment.
Beyond the Usual Suspects: Photography at the Miami Art Fairs. You might also like: Notes from the Grey Zone: Interview with Alena In a Garden of Odd Fruits: Interview with A Conversation with Lucas Foglia.
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Space of Possibility: A Conversation with Barry W